I don’t have any kids of my own (birthing movies every now and then while holding down a full-time job is about as much as I can handle at the moment) but I appreciate them more and more as the years roll on. Children are the best reminder that a cynical — and ultimately selfish — worldview has real consequences for those who follow us.
Put more positively: our good choices today can really pay off for those who come after us. Is there any better reason to do the right thing?
That was the simple idea behind these PSAs I shot for MTA in celebration of Earth Day. Last weekend, twenty-seven volunteers — all children of MTA employees — spent an afternoon in a makeshift studio that myself and my hard-working colleagues set up in our midtown headquarters.
Some of the kids had a little experience with cameras and acting, but the majority of them were entirely new to the process. They were incredibly eager to participate and their energy helped all of us get through an exhausting five hours of shooting.
Like many filmmakers, I find it difficult to watch my own work once it’s done. Oftentimes, all you can see on screen are the things you wish you’d done differently. It’s extremely humbling and sometimes very painful.
These cheap and cheerful PSAs are by no means perfect. I still see plenty of things I wish I’d done better. But they were made in less than two days, with a production budget of zero, and they communicate an important message for the public.
Most importantly, these kids melt my heart every time I watch them. They remind me that the world will go on long after I’m gone, and that my choices today have consequences for that world. And also that traffic on the B.Q.E. is always going to be an epic fail.
Apple just updated Final Cut Pro X to 10.0.8, which includes, among other tweaks, support for the Sony XAVC codecs up to 4K in the new F5/F55 cameras. Compressor and Motion got updates also. Sweet.
I don’t have an XAVC camera so I couldn’t test the new codec, but the rest of 10.0.8 has been stable on my Macs so far. If you’re not the middle of a project, I’d advise upgrading. (Never upgrade anything during a project, unless you’re absolutely sure the new stuff will solve whatever problems you’re having with your current stuff.)
I love FCPX and I’m very glad I made the jump from FCP7 a year-and-a-half ago. But I’m definitely in the minority among the filmmakers I know in embracing the software.
I don’t believe, as some do, that Apple has abandoned pros. I just think they’ve been a bit distracted by iOS. The updates to FCPX are a great sign that they still care about their professional users. But of course, an awesome new Mac Pro would be an even better sign.
From “Ang Lee and the Uncertainity of Success” at jeffjlin.com:
If you’re an aspiring author, director, musician, startup founder, these long stretches of nothing are a huge reason why it’s important to pick something personally meaningful, something that you actually love to do. When external rewards and validation are nonexistent; when you suffer through bouts where of jealousy, wondering “How come so-and-so got signed/is successful/got a deal/etc?”; when every new development seems like a kick in the stomach, the love of what you are doing gives you something to hang onto.
It’s hard to overstate how important this advice is, regardless of the particular dream you’re pursuing. Outcomes are tough to predict and largely out of your control. What you can control is your effort, attitude, and perseverance in pursuit of that dream.
The other thing you can control is who you choose to go through life with and how you spend that time where “nothing” is happening. Ang Lee married a woman who believed in him and supported him through his lean years. They raised kids together and everyone had a roof over their heads and food on the table.
That’s a whole lotta something for a period of nothing.
There are now several good Asian American film festivals in the US and filmmakers and audiences of all stripes are the better for it.DisOrient in Eugene is, as far as I know, the only one not in a large city. But the smallness of place hides a bigness of community-mindedness and hospitality.
I’m having a great time here at what I think is becoming the Asian American Telluride. Kudos, dudes!
(Bijou Art Cinema, Eugene, OR)
The unholy combination of the Canon HV20 and the Cinevate Brevis has gotten me through two shorts, more than paying for itself in 16 months of ownership.
But as good as the images can be from this setup, the rig itself still looks hopelessly dorky. Can’t have everything, ya know.
(Floyd Benett Field, Brooklyn)
There’s something surreal about seeing your name on a flyer, especially in a place you’ve never been. But I had been warned before my visit that there were flyers advertising my visit to the York College film club, so it wasn’t exactly an ambush.
The kids were a great audience for my (undoubtedly rambling) lecture on indie film distribution. I felt a bit old and nerdy speaking to them, but also honored and inspired by their enthusiasm and attention. They asked smart, thoughtful questions, too.Go York film club! Please hire me when you guys get to Hollywood.
(York College, Jamaica, Queens)
Park City has been a total blast and I’m sad to be leaving. I’m so darn grateful to Slamdance for premiering my film. Festival week is known for its celebrity circus, but Heath’s untimely passing is a strong reminder of why most of us are here: we love movies and we are moved by them.
(Treasure Mountain Inn, Park City, UT)
Between parties and panels and sold-out screenings, it’s impossible to see everything I want to see at Slamdance/Sundance. Fortunately, I got a chance to catch Goliath, which is a pretty terrific movie. Especially if you’re a cat lover. Here kitty kitty kitty kitty…
(Zellner Brothers at the Library Center Theater, Park City, UT)